Into the Raging Sea Read online

  Pilots have missed that ladder. They’ve slipped and fallen into the sea where they were crushed between their boat and the ship. In October 2016, a pilot with more than a decade’s worth of experience died this way on the river Thames.

  Eric was once reaching for the ladder when his driver pulled away too soon, leaving him straddled between the two vessels. Eric was forced to make a split-second decision: jump for the ladder and risk missing it, or fall back into the pilot boat. He hurled himself toward the deck of his boat and saved his life but shattered his heel. He was out of work for months, and in immeasurable pain, but hated being on meds. His second accident was caused by his bag—caught on the pilot boat platform, it yanked him back, and when he fell onto the deck, he broke his back. He’s never fully recovered from that. But he’s alive.

  Pilots board a berthed container ship like anyone else—up the gangway or loading ramp.

  That’s how Eric got onto El Faro on the evening of September 29.

  He parked his car at Blount Island Marine Terminal at 7:30 and walked across the expanse of tarmac by the fading light to the ramp. As he approached El Faro, Eric regarded her dark blue steel hull. Like all massive ships, El Faro was a paean to modern engineering—a floating island capable of moving the weight of the Eiffel Tower through the ocean at 25 miles per hour. She was as long as the Golden Gate Bridge is high; it would take more than four minutes for a person to walk from bow to stern. Designed in the late 1960s, she was built for speed at a time when fuel was cheap and fast shipping fetched premium pricing. To reduce drag, she had a narrow beam that tapered steeply and evenly to her sharp keel.

  These days, the profit is in cargo. The more you take, the more money you make. So modern ships are bulkier and slower; megaships, like the 1,305-foot-long Benjamin Franklin, are fat all the way to their little nub of a keel and can carry up to eighteen thousand containers. (If you lined them up, they’d reach from Manhattan to Trenton, New Jersey.) These ships made El Faro look like a toy.

  Just about loaded up, El Faro sat low in the water, but Eric could still see her load line marks etched into her hull indicating she was safe to sail. Thick lines kept her tied to the dock as trucks and cars sped up her wide loading ramp, located at midships, in a fog of gas and diesel exhaust.

  Twelve stories above Eric, a crane operator labored in a glass-bottomed cab hanging from a track, hauling the final containers onto El Faro’s main deck.

  A working crane is like a massive version of the classic claw game, and watching it load ships is mesmerizing. On the dock below the crane, a longshoreman steers a flatbed truck into position next to the ship, then releases the clamps holding the container to the truck’s chassis. A typical container is forty feet long and can be as heavy as thirteen cars. The crane operator uses cables and winches to lower the “spreader” over the steel box—a steel frame that aligns with the container’s top four corners—and locks it in place like a tight-fitting lid. The spreader grips the container as the operator artfully swings it above El Faro’s deck, accommodating for the box’s languid movement, and just as momentum begins to pull it backward, he lowers it into its designated spot, using gravity’s pull to level it into place. Stevedores lash each box to the ship’s deck with steel fittings, tightened with turnbuckles. Stacks of containers are locked to one another like Legos.

  The frenzied choreography works most of the time but occasionally things happen—a container slips from the spreader’s grip and crashes back on the flatbed, or it lands misaligned and crushes a longshoreman’s hand as he’s leveling it into place, or a stevedore gets hit by one of the huge trailers being driven off the ship in a great rush.

  The huge loading cranes themselves also pose danger. They glide on two tracks that run parallel to the dock along its entire length, allowing the cranes to move from bow to stern and from ship to ship, stacking boxes. In 2008, a squall sent one 950-ton Jacksonville crane careening down the length of two football fields into the next, causing the steel constructs to twist and crumple into a heap of junk. It looked like spaghetti. It’s a rare event—the cranes come equipped with multiple brakes—but shows the kind of power packed in gale-force winds.

  Out of the din, Eric saw Jack Jackson coming down the ramp to greet him. Jack was the helmsman on the 8:00 to midnight watch that night; he’d stand at the ship’s wheel on the navigation bridge and take steering commands from Eric. When they reached the sea buoy, Eric would disembark, leaving the captain in charge.

  Sixty years old, sun-bleached yellow hair fading to white, ruddy face with a devilish grin, Jack had a wry sense of humor that could catch you off guard. He was the middle brother in a family of self-ascribed air force brats, mostly raised in New Orleans. Dad would show the kids pamphlets of the places they were moving next. Delaware! Beaches! Jack’s older sister, Jill, moved frequently; she was a restless soul. Younger brother, Glen, with his ginger hair and blue eyes, could’ve been Jack’s twin, but he was more a traveler of the mind.

  When Jack and Glen were boys in New Orleans in the 1960s, there were four major shipping companies keeping the port busy. They used to ride out to the big bend in the river to watch the ships. Two sunburned boys dreaming on the banks of the Mississippi. The boats were always going somewhere, just like their family, always moving. That’s where the fascination began, Glen says.

  Jack signed up with the merchant marine during the 1970s to explore the world, make some money, live free. He enjoyed the easy sea life delivering grain to Africa or going back and forth to Europe. In those days, ships would spend days or weeks in a port loading and unloading so he could get off and poke around. Just one big adventure.

  Jack had a magical aura about him; people were drawn to him. He once owned a motorcycle—a Norton. One day when Jack was stopped at a red light, a girl jumped on. She said she liked Nortons. They lived together for a year. That’s how life was back then.

  Jack was easygoing. He never pursued an officer’s license or tried to hustle up the ranks; he preferred to avoid the messy politics aboard. He saw how cutthroat officers were; getting ahead wasn’t worth the increase in pay and the hassle. Guys with higher ranks would sit in union halls for days waiting for work but as a general able-bodied seaman, called an AB, Jack could always get work whenever the spirit moved him. Sailing, living free.

  Decades later, Jack was still shipping out, and in a way, so was Eric. But Jack had fully embraced the seaman’s life; he lived alone in Jacksonville and had never married. During shore leave, he carved sculpture out of wood and painted dreamy Edward Hopper–like scenes. He once told Eric that when he retired, he planned on throwing an oar over his shoulder and walking west until someone asked him what it was.

  Eric was pleased to see his fellow traveler on duty that night. Guys like Jack made the heavy workload on these short, busy runs down to San Juan go a little smoother.

  Working ships are an obstacle course of cargo, safety equipment, and machinery and as Jack led Eric from the ramp to the ship’s house, he casually pointed out anything—raised thresholds, low headers—that Eric might trip over or bang his head on.

  Though El Faro had an elevator, the captain on duty didn’t want the crew using it. Someone could get stuck in there. The machinery was old and cranky, and he worried that it might stop working entirely because the shipping company had stopped paying to have it inspected. If it did quit with someone inside, the ship’s engineers would have to spend their time fixing the lift instead of tending to the ship’s ancient steam plant.

  So Jack and Eric climbed seven flights of industrial stairs bathed in fluorescent light to get to the navigation bridge. Each floor in the ship’s house served a function. Ascending, they passed the galley, the crews’ quarters, engineers’ quarters, deck officers’ quarters—each door clearly labeled—to the final set of stairs, through the door to the bridge where the captain and the third mate were waiting for them.

  Nearly ten stories above the waterline, the navigation bridge was a single room ato
p the house with seven windows framing the evening sky as the sun set over Jacksonville. It smelled like old solder and aging wiring, an olfactory blast from the 1970s, a reminder that the ship was forty years old—built before the internet, laptops, and cellphones—and nearly double the age of the average ship docked in America’s ports.

  Against the windows sat a file-cabinet-gray metal console as wide as the bridge, strewn with instruments. In the middle of the console, waist-high, was a small black steering wheel, like something you’d find on a Honda Civic. It was hard to believe that such an inconsequential thing controlled the massive rudder below. A couple of solid wood grab bars were attached to the console; even on this giant vessel, things could get rough. Tucked in the corner was the chartroom; a blackout curtain took the place of a door.

  Captain Michael Davidson greeted Eric. Davidson was a Yankee like the pilot. He had signed on with the shipping company—TOTE—two years ago, and the pair had met here on the bridge a few times. Davidson stood a few inches shorter than Eric and wore his white-and-gray hair close cropped, military style. He had an athletic build, sharp nose, and Scottish eyes that sloped down in a friendly, generous way when he smiled, complementing his cleft chin. A slightly imperious manner betrayed his station as master of the ship. He shook Eric’s hand firmly, calling him “Mr. Pilot.”

  “Hello, Cap’n,” Eric said.

  Eric opened the door to the bridge wing and stepped into the warm evening air, high above the river. Below him, a pair of pelicans flew over the stacks of containers. Eric had a portable GPS system that came with an antenna that worked best out here; he positioned it carefully on the small deck, sheltered from the wind. The antenna sent his precise location back inside to his iPad, which was loaded with a detailed chart of the St. Johns River, its depths, and live traffic information. The keel of El Faro cut a wake three stories below the waterline, a comfortable depth for the river’s forty-foot dredged channel, but at various locations, tolerances were tight.

  Eric’s handheld software was more sophisticated than El Faro’s onboard technology. El Faro didn’t have an electronic chart system, soon to be required of all international deep-draft vessels. Instead, her officers relied on their paper nautical charts published by NOAA (National Oceanic and Atmospheric Administration), and a crude alphanumerical GPS interface.

  Eric always steered ships with his eyes first, technology second. He knew the river like he knew the streets of his own neighborhood, but he regularly referred to his iPad to check his work.

  Jack Jackson handed the pilot a cup of coffee and took the wheel at eight o’clock as two tugs below slowly spun El Faro 180 degrees to point her bow toward the Atlantic Ocean, 10.6 miles down the winding river. When she was in position, the tugs pulled their lines and El Faro glided silently forward under her own power. They were underway.

  Eric stood in the dusk at the windows of El Faro’s bridge sipping his brew, watching the waterway bend before him. Lights from the houses along the shore revealed the river’s edge, but Eric closely monitored his iPad tracking the ship’s speed and position and the river’s depth. Stretched out before him was a field of red and blue cargo containers, loaded with every necessity for life in Puerto Rico, graying to black in the fading light.

  At this time of night, there wasn’t much traffic on the river. The navigation bridge was quiet, illuminated only by the glow of the ship’s instruments as Jack stood at the steering wheel, watching for shrimp boats, pleasure boats, anything the huge ship could crush as it slowly made its way downriver.

  In his resonant baritone, perfect for late-night jazz radio, Eric would occasionally call out a command, anticipating current changes ahead to keep the vessel on course. “Left 10.”

  “Left 10,” Jack Jackson repeated from behind the wheel and turned accordingly, causing the ship’s massive rudder far below to swing ten degrees to port. The heavily loaded El Faro heeled over slightly with each turn. She was tender, sensitive, slow to right herself, but not unpleasant. That’s how this class of ship moved.

  As usual, there was very little chatter among the people on the bridge, just another trip on a calm autumn evening down the coast of Florida. Mariners are comfortable standing in silence for hours at a time, staring out at the sea. It’s part of the job. Jack and Davidson talked a little about the weather with Eric. Something was brewing out there, but El Faro was a fast ship. Davidson said that the storm would cut north and they would shoot down under it.

  Eric could hear Second Mate Danielle Randolph on the two-way radio overseeing the men securing the deck and organizing lines at the stern of the ship. She’d spent the whole afternoon directing stevedores and checking cargo. Soon she’d head back to her room to catch a few more hours of sleep before coming up on the bridge for her midnight watch.

  “Dead slow ahead,” Eric said as they approached land’s end. When they reached St. Johns Point, just past Mayport Naval base, the coastline peeled back as El Faro moved into open waters. So far above it all, Eric could feel the thrum of the twenty-five-foot propeller turned by the ship’s steam turbine whenever they put on the rudder. By the time the ship reached the mouth of the river, stars were out. The vessel and her cargo were a black silhouette against the dusky sea and sky.

  About seven miles out, just before ten o’clock, Eric retrieved his GPS antenna from the bridge wing, packed his bag, and shook the captain’s hand. Chief Mate Steve Shultz walked him down to the main deck. Eric looked over the side and saw his pilot boat pulling up alongside. He gingerly climbed down the rope ladder, made it safely to his ride, gripped the handrail of his boat and looked up. From the top of the ladder, Shultz smiled and waved. The pilot boat pulled away from El Faro and headed back toward the lights of Jacksonville.

  Chapter 3

  Tropical Storm Joaquin

  29.07°N -79.16°W

  El Faro steamed south throughout the night hugging Florida’s Atlantic coast.

  Two hours before dawn on September 30, Captain Davidson and Chief Mate Shultz met on the ship’s bridge. Since leaving Jacksonville the night before they’d traveled 147 nautical miles, putting them eighty miles east of Daytona Beach. Now they needed to make a decision: continue on their direct route to Puerto Rico or take a southerly detour along the west side of the Bahamas.

  Above them, the night sky was clear. A handful of Tropical Cyclone Advisories had come in from the National Hurricane Center (NHC) overnight. Each time they did, a dot-matrix printer above the satellite-fed computer would automatically type out the message. The latest was advisory number 10:

  TROPICAL STORM JOAQUIN FORECAST/ADVISORY NUMBER 10: 0900 UTC [5:00 a.m.] WED SEP 30 2015: TROPICAL STORM CENTER LOCATED NEAR 25.4N 72.5W AT 30/0900Z. PRESENT MOVEMENT TOWARD THE WEST-SOUTHWEST AT 5 KT. MAX SUSTAINED WINDS 60 KT WITH GUSTS TO 75 KT.

  In the silence, darkness, and coolness of the final hour before dawn, Davidson used his chief mate as a sounding board as he tried to determine whether Joaquin posed a threat.

  Shultz was taller and softer than Davidson, and a year older. His thin brown mustache and sparse goatee obscured a smattering of acne scars. As chief mate, he was responsible for the loading and securing of cargo and overseeing the unlicensed crew. Although weather routing was the second mate’s job, Shultz was flattered that Davidson had opted to consult with him that morning.

  “This NHC report puts the storm further south than last night,” Shultz observed, studying the newest message out of Miami.

  Davidson didn’t like Tropical Storm Joaquin’s slow, lumbering movements. It was traveling at about four knots. And the newest NHC assessment of the storm—that it was heading southwest—contradicted the ship’s forecasting software, which had the storm turning north. “Look, remember how we saw this storm out here the other day? It’s just festering,” he said to Shultz. “I’m anxious to see the newest BVS report.”

  El Faro was equipped with a third-party weather forecasting software package called Bon Voyage System (BVS). Its interface is lush, m
uch more visually inviting than the all-caps text advisories coming from NOAA, which need to be plotted out by hand on the ship’s paper charts.

  On BVS, weather comes preplotted on a pastel-hued digital map. The tiny islands of the Bahamas and Turks and Caicos appear as beige strands in a light blue sea. Mariners can plug in their ship’s course and fast-forward through time to watch how weather systems are predicted to behave as they sail to their destination. Click and it’s tomorrow. Here’s your ship (based on your projected speed and course) and here’s the weather. Click again and it’s two days from now. You’ve moved, the weather moved. Click, click, click. It’s five days in the future, and there you are, safely in port. It all looks so clear, so real. Solid and dependable.

  Nearly all people glean more information faster from data visualizations rather than alphanumeric code. That’s just how our brains work. Davidson, whose elegant handwriting reveals a man with a strong aesthetic sense, preferred to get his weather from the highly graphic BVS software. It put all the information—ship and storm location, plus their projected courses over time—on a single chart. On the bridge, this information was recorded on separate paper maps, one for the ship’s course, one for the storm, requiring a mental workout for an officer to precisely understand their relative positions. “I’m connecting now,” Davidson told Shultz and retreated downstairs to his stateroom to download the 5:00 a.m. BVS update via satellite.

  It took a minute for his desktop to get the information and process it, but once it did, a small red circle with two helical wings represented Joaquin. It hovered far west of the Bahamas. Around the storm was a series of wavy concentric circles—bands of color depicting predicted wind speed from dangerous orange to so-so yellow to benign light green, then darker cobalt, and finally, the neutral baby blue of a calm sea. A dark scarlet line showed Joaquin’s predicted path.